The General is viewed as his masterpiece: Orson Welles considered it "the greatest comedy ever made.and perhaps the greatest film ever made". (1928), and The Cameraman (1928), remain highly regarded. He then moved to feature-length films several of them, such as Sherlock Jr. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including One Week (1920), The Playhouse (1921), Cops (1922), and The Electric House (1922). Working with independent producer Joseph M. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur." In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that "More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". But other than that it involved some of the funniest stunts and wacky moments of any other Keaton film, although the ending was very sudden and the plot was almost too unbelievable at times.Joseph Frank " Buster" Keaton (Octo– February 1, 1966) was an American actor, comedian, and director. I personally enjoyed Cops a lot! It did escalate extremely quickly and ended up being quite jarring with the pace and lack of buildup to the absolute calamity that was the climax. They reflect the industrial advancement of America at the time, and follows an innocent but chaos-creating man who the audience can sympathise with in his struggles. The film is not expressionist either though, only using impossible stunts and structures to achieve comedy, as Keatons other films of the 20’s did. The film is similar to Keaton’s other films of the 1920’s, except Cops involves more outrageous and unbelievable scenes, such as Keaton outrunning hundreds of cops or catching a bomb and using it to light his cigarette while riding a cart full of stolen furniture, in the middle of a police parade! The film suspends realism to a large extent, featuring impossible stunts and scenarios that escalate into outright chaos, as his films often did, involving physical stunts to achieve comedy and reflecting the belief that cops were unnecessary at the time, including one aspect of realism. Here, Buster stokes the anger of an entire city’s police force, after a series of laughable events, and ends up outrunning them through some unique and crafty escape routes. Cops was written and directed by Buster Keaton in 1922, and follows the usual clueless and naive Keaton character getting into insane scenarios.
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